Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Osman Hamdy Bey
Old Man before Children's Tombs

ID: 11866

Osman Hamdy Bey Old Man before Children's Tombs
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Osman Hamdy Bey Old Man before Children's Tombs


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Osman Hamdy Bey

Turkey, born 1842 - died 1910  Related Paintings of Osman Hamdy Bey :. | La Porte de la Grande Mosquee Brousse (mk32) | The Tortoise Trainer | Jeune fille disposant des fleurs dans un vase (mk32) | Old Man in front of a Child's Tomb. | Old Man before Children's Tombs |
Related Artists:
Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
frances reynolds
1729-1807
Alexis Simon Belle
(12 January 1674 - 21 November 1734) was a French portrait painter, known for his portraits of the French and Jacobite nobility. Belle was born in Paris, the second child and only son of Jean-Baptiste Belle (born before 1642, died 1703), also a painter, and of Anne his wife (died 1705). Belle's birth and baptism are recorded in the parish register of the church of Saint-Sulpice, Paris, and quoted in Eugene Piot's Le Cabinet de l'amateur for the years 1861 and 1862






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